How to Make Small-Scale Super-Realistic Model Landscapes
By Twisted Sifter on Monday, February 8, 2010 filed under ART & DESIGN.
I first discovered Matthew Albanese’s work through my friend JohnnyCat, an author/editor for the newly-designed Neatorama. Matthew creates incredibly detailed miniature-scale model landscapes and then uses a camera technique known as forced perspective to create super-realistic photographs you swear were real!
If you can’t believe it’s not butter, you won’t believe these aren’t real until you see the set-up pictures that follow. Enjoy Matthew Albanese’s ‘Strange Worlds’ series:

“Salt Water Falls” model made out of glass, plexiglass, tile grout, moss, twigs, salt, painted canvas & dry ice. The waterfall was created from a time exposure of falling table salt

Tornado made of steel wool, cotton, ground parsley and moss
In Matthew’s Words:
My work involves the construction of small-scale meticulously detailed models using various materials and objects to create emotive landscapes. Every aspect from the construction to the lighting of the final model is painstakingly pre-planned using methods which force the viewers perspective when photographed from a specific angle. Using a mixture of photographic techniques such as scale, depth of field, white balance and lighting I am able to drastically alter the appearance of my materials. For images documenting how these works are made see my facebook fan page Matthew Albanese. All works are currently available for acquisition.


Paprika Mars: Made out of 12 pounds paprika, cinnamon, nutmeg, chili powder and charcoal. Mars was Matthew’s first model he made in this series

Aurora Borealis: This was made by photographing a beam of colored light against a black curtain to achieve the edge effect. The trees were composited from life (so far the only real life element in any of these images). The stars are simply strobe light through holes in cork board.

Fields, After the Storm: This model is made out of faux fur (fields), cotton (clouds) and sifted tile grout (mountains). The perspective is forced, and the lighting effect was created by simply shifting the white balance.

WHAT IS FORCED PERSPECTIVE?
Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It is used primarily in photography, filmmaking and architecture. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera. - Wikipedia

Photograph courtesy of Wikimedia Commons
In this example of forced perspective, the CH-47 Chinook helicopter above is more than eighteen feet tall and almost one hundred feet long.

Burning Room: Made of wood, nylon, plexiglass, purchased dollhouse furniture. The model was actually set on fire to achieve this effect.


This is a mixture of many different materials; tile grout, moss, bottle brushes (pine trees), actual clippings from the ground, and built on top of a standard outdoor patio table (water glass). The sky is canvas painted blue. Coloring was achieved by shifting white balance.


Breaking Point: The Volcano is made out of tile grout, cotton, and phosphorous ink. It was illuminated from within by 6-60 watt light bulbs.
HOW DID HE DO THAT?


Oh Hai Matthew!
You can find Matthew Albanese online at the following places:
- Facebook Fan Page
- On Behance
- LinkedIn



SOURCES
- First spotted on Neatorama
- Photographs on Behance
- More Photographs on Behance
- Forced Perspective Wikipedia Entry




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If you enjoyed this article, the Sifter highly recommends: What is Tilt-Shift Photography?



Mick
February 8th, 2010 at 3:38 pmCarl Warner is a photographer who makes incredibly detailed and creative landscapes entirely out of food. His "foodscapes" are truly amazing. Check out his work at Carlwarner.com
Twisted_Sifter
February 8th, 2010 at 11:35 pmgreat suggestion Mick! Carl does some really nice stuff. thanks for sharing
<img src="http://midialee.files.wordpress.com/2009/08/carl-warner-foodscape-2.jpg">
Cómo hacer a pequeña escala paisajes muy realistas
February 9th, 2010 at 5:13 am[...] Cómo hacer a pequeña escala paisajes muy realistas twistedsifter.com/2010/02/how-to-make-small-scale-super-real… por shephard hace 3 segundos [...]
Johnny Cat
February 9th, 2010 at 5:02 pmAwesome. Matthew's work is featured on Mental Floss today, too. I'm glad he's getting exposure.
links for 2010-02-09 « Mandarine
February 9th, 2010 at 11:07 pm[...] How to Make Small-Scale Super-Realistic Model Landscapes (tags: photography) [...]
Roy
March 5th, 2010 at 9:54 amThis guy is my hero. Right now I was looking up stuff on making a fountain with mist then combine it with a landscape and I always have loved the idea of creating a piece of work that a realistic nature modeled representation but this just puts my idea to shame, extraordinary work. I especially like the volcano using that lighting effect but wow, kudos on detail. Is this real, I need to be pinched because wow. A lot of these pictures, I looked at them and was like "na, no way" then the actual display woah that just blew my mind. Sorry I'm just amazed, I've never seen anything like this, it's awesome.
Twisted_Sifter
March 5th, 2010 at 2:22 pmhey roy no need to apologize! matthew's work is incredible! i felt the same way when i first saw them. agree on all your points, the level of detail is remarkable. truly works of art. would love to see him try set design or something on a larger scale.