The Historic Houses Trust in Australia has a forensic photography archive at the Justice & Police Museum which contains an estimated 130,000 images created by the New South Wales Police between 1910 and 1960. The Sifter has already featured a vintage collection of mugshots from this archive of both male and female criminals.

Below we shift focus to vintage forensic photography which is used to provide an accurate reproduction of a crime scene or accident. Forensic photography is an integral part of evidence collecting. It provides investigators with photos of victims, places and items involved in the crime.

I went through the 250+ photo collection last night and the majority were too graphic and morbid to post here. That said, some readers may find a few of the images below too graphic or disturbing. The Sifter has many light-hearted galleries of cute animals photobombing and hovering. If you’re easily shocked, this gallery is not worth viewing. For those interested by vintage forensic photography, carry on.

 

 

 

Car crash, night time, early 1940s. Details unknown, but possibly Liverpool street, Sydney.

 

 

 

This negative was found wrapped in a paper sleeve on which is written: ‘Group of criminals, Central 1921’. The subjects are not named, but the woman on the left is believed to be Eileen Leigh or Barry (daughter of Kate Leigh). The man on the far right in the back row may be Stephen Doyle, and the man to the left of him Kenneth McLelland (or McCrerrand). The man third from the left in that row may be the pickpocket and three-card trickster known as Frederick Mewson, and the man far left in the front row is likely the pickpocket known as Norman Smith.

 

 

 

The bottle next to the man is Waterbury’s Compound, a popular tonic and cough remedy. Spots of blood can be seen on his shirt. Other negatives indicate the site to be a toilet, apparently open to the sky, situated between two buildings, underneath a footpath/bridge in the inner city somewhere. It is unclear whether the man fell from the footpath/wall above, but the entire series of police photographs (from above looking down, from below looking up) suggest that police entertained that possibility.

 

 

 

Police photographers routinely made copies of studio photographs of missing people, then known officially as ‘missing friends’. This particular missing friend, Rene Flowers, had clearly been a vaudeville performer.

 

 

 

Other negatives found with this one show the exterior of the Camellia Grove Hotel (now the Sports Bar), Henderson Road, Alexandria, and various shots of a basement/cellar, showing signs of breaking and entering. These may all be related, in which case the photo shown here would likely be the hotel office, photographed following an attempt to crack the safe.

 

 

 

This photograph was published in Sydney newspapers in 1933, apparently at the behest of the then Commissioner of Police to demonstrate to a sceptical press and public that police could in fact operate undercover. This was apparently in answer to a suggestion that so distinctive was the build of the average detective, effective undercover work was out of the question. The men seen here are a mix of detectives and civilians. The figure third from the right is believed to be Sergeant Frank Fahy, aka “The Shadow”, the force’s most effective undercover operative at the time.

 

 

 

From a negative found in a box marked ‘IWW Dope’. The International Workers of the World, or ‘Wobblies’, carried out a program of direct action (which included sabotage and incendiarism) in Sydney in 1916, agitating for the release of their leader, Tom Barker. Barker had been jailed for sedition after making an anti-war speech in the Sydney Domain. ‘Dope’ refers to incendiary materials, such as cotton waste, turpentine, phosphorous and kerosene, allededly found during police raids on IWW headquarters in Sussex Street and in the rooms of various IWW members.
 
Although the police evidence was considered slim, the ‘IWW Twelve’, were convicted of conspiracy and sedition, and all received long jail sentences. A royal commission in 1920 overturned the convictions. Detective Arthur Surridge, whose name can be read on the label here, led the police action.

 

 

 

Street scene, Old South Head Road, Double Bay Sydney, showing collapsed shop wall and awning. Inscribed ‘Awning fatality Double Bay’, around 1926, details unknown.

 

 

 

Interior of commercial-industrial premises with bed and dresser. Details unknown, but assumed to be premises used for illegal abortions. Late 1930s.

 

 

 

Exterior, scene of car crash, from bridge onto storm water canal cover, early 1940s. Details unknown.

 

 

 

One of a series of photographs found in an envelope labelled ”persons selling tickets, Barrack St Sydney”. The unauthorised sellers have shrewdly set themselves up outside the State Lotteries Office. This photograph presumably taken without the subjects’ knowledge.

 

 

 

Bedroom with man’s hat on bloodstained bed. Mid-1940s. Details unknown.

 

 

 

Demonstration of the techniques of pickpockets. Details unknown, but clearly a staged photograph, presumably made for police educational purposes.

 

 

 

John Frederick ‘Chow’ Hayes most daring crime was the 1951 shooting of boxer William ‘Bobby’ John Lee. Late on the 22 May at the busy Ziegfeld Club on King Street, Sydney, Hayes shot Lee in front of friends and fellow underworld figures, in a revenge attack. Hayes had not intended to shoot Lee inside the club but was provoked by the line ‘you wouldn’t do it here, with all the lights shining and all the people around’. ‘Chow’ shot Lee five times in the stomach and back. Despite all the witnesses, Lee refused to identify Hayes and he died in hospital later that night. Hayes was not convicted of Lee’s murder.

 

 

 

Unknown men, presumably suspect (centre) and detective (right) at an unidentified police station, Sydney, early 1930s. It has been suggested (but not verified) that the subject of this photograph may be the well known Sydney gangster “Big Jim” Devine, husband of Tilly Devine.

 

 

 

 

 

 

 

 

 

Northern approach of Sydney Harbour Bridge, night-time, 11 June 1947, showing wrecked two door convertible sports car.

 

 

 

Bedroom, with bloodstained bed reflected in dressing table mirror. Details unknown, late 1930s.

 

 

 

Dining room with blood spatters and signs of struggle, scene of shooting murder of Alice Isabella Anderson by Maurice Reuben John Anderson, and the subsequent suicide of the latter, at 75 Birrell St Waverley, NSW, 2 May 1944.

 

 

 

Street scene, collision between tram and coal truck, Botany Road, Mascot, early 1940s.

 

 

 

Three men demonstrating self-defence techniques. Details unknown, late 1930s.

 

 

 

Detail of scene of accident involving two trucks, corner of Balfour and Meagher Streets, Chippendale, early 1940s.

 

 

 

Four men, one partly obscured, photographed in connection with motor accident in the vicinity of Market Street, Sydney, early 1940s. Other details unknown.

 

 

 

Young girl sitting on packing case. Photograph inscribed “Child unknown found wandering at large”. Mid 1920s, details unknown.